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select pages from ‘En Route,’ a graphic autoethnography, featuring Jessica Wang and Heather Wolf, ink and digital wash, 2022
‘Pet Land’ map, written with Nate Odenkirk, ink and digital color, 2022
‘Murakawa Orange Gum,’ graphite, 2022
‘A Crow,  a Chicken, and a Seabird,’ intaglio diptych, copper plates and ink, 2022
‘Clare’s Foot,’ graphite, 2022’
‘Foldable Menu,’ for Harapeko Prefix Dinner, ink, 2022
‘Andrew Bowling,’ intaglio triptych, copper plates and ink, 2022
 
sketchbook, ink, 2022
sketchbook, graphite, 2022
untitled sculpture, fabric, polyester, armature wire,  acrylic and sharpie, 2022

untitled drawing, graphite, 2022
‘Emily,’ soldering iron, 2022
‘Held Bird,’ (reference image not mine), graphite, 2022
‘Archie,’ charcoal and ink, 2022
‘I’m feeling more like myself,’ intaglio print, copper plate, ink, 2022
‘I’m feeling more like myself (orange),’ intaglio print, copper plate, ink, 2022
Erin’s description, 2022
Troy’s description, 2022
Troy’s drawing, masking tape on poster board, 2022

‘March 28,’ a collaborative project with Brooklyn artist Troy Paul Bloom.
  Both artists selceted images in their camera rolls from the same date, March 28, 2022, and wrote one page descriptions of them, lacking as much emotional context as possible.  They traded descriptions and each tried to recreate the image as described.
Erin’s drawing, charcoal and ink on paper, 2022

‘21,’ scans of pocketbook, ink and thread, 2022
‘Exe,’ digital drawing, 2022
‘My To-Do Bucket List,’ written by Nate Odenkirk, ink and digital color, 2022
a tiny drawing, paper, glue, sharpie, 2022